DZOFILM Vespid Prime Cinema 7-Lens Kit with 25mm, 35mm, 50mm, 75mm, 100mm, 125mm T2.1, 16mm T2.8 Lens for PL & EF Mount
Quick take
The DZOFILM Vespid Prime 7-lens kit is a full focal-length prime set for cinema-style use, covering 16mm through 125mm with manual focus control and T2.1-to-T22 aperture options. It’s aimed at filmmakers who want a matched set with consistent gear placement for faster swaps, plus compact handling for handheld, gimbal, or drone work.
Pros and cons
Pros
- Versatile coverage from 16mm to 125mm in one kit for wide-to-tele cinematic work.
- Cinema-style aperture range, including fast T2.1 across most lenses (T2.8 on the 16mm).
- Manual-focus design with internal focusing, aimed at minimizing focus breathing and keeping the front element stationary.
- Matched gear layout across lenses for easier lens swapping without reconfiguring accessories.
Cons
- Mount expectations may be unclear: one review claims it is PL-only and that no EF mount adapter is included.
- Only one review is available, so buyer experience patterns are limited.
- The 16mm lens note states the 77mm front filter thread is not applicable for that focal length.
What buyers think
Buyer-review evidence is too limited to draw a reliable pattern across image quality, build durability, or everyday usability. The only notable theme in the available review is a mismatch between stated EF mount usability and the actual mounts included, with the reviewer warning not to buy if you specifically need EF compatibility without an adapter.
What this kit is for
This is a cinema prime bundle built around manual operation and lens consistency. With focal lengths of 16mm, 25mm, 35mm, 50mm, 75mm, 100mm, and 125mm, it targets shooters who want a single matched set for coverage rather than swapping between unrelated lenses.
Key features that matter in real production
Focal-length coverage, simplified
Having 16mm through 125mm in one kit supports everything from wide establishing shots to tighter perspectives without changing camera positioning as much. If you are building a do-it-all prime line-up for projects that may switch locations, this kind of coverage can reduce gear overhead.
Cinema-style aperture control
The kit uses an aperture range of T2.1 to T22 across the set, with the 16mm listed at T2.8. In practical terms, that gives you room for both lower-light shooting and more controlled depth-of-field looks as you stop down.
Internal focus aimed at reducing focus breathing
The Vespid Prime lenses use internal focus so the front element does not move during focusing. This is designed to help minimize focus breathing, which can be important for shots where the camera stays locked and the composition should not subtly shift as focus changes.
Consistent gear placement for faster swaps
Another production-focused detail is the uniform positioning of focus and iris gears across the lenses in the kit. That means lens changes are less likely to require rethinking follow-focus or accessory positioning on set.
Build and field handling
The kit is described as an aluminum alloy, durable set intended for professional filmmaking. It also includes a hard case for storage and transport, which can matter if lenses travel between locations or get packed alongside other production gear.
Compatibility and the biggest buying caveat
If you shoot on an EF cinema workflow, the safest approach is to confirm what mount(s) you actually have on your camera and whether you need an adapter to physically mount and properly operate these lenses.
There is also a filter-thread detail to watch: the front 77mm filter thread is listed for the lenses, but it is not applicable for the 16mm lens. If filtration is part of your standard setup (especially when you shoot without a matte box), plan accordingly.
Pros and cons summary
- Good fit for: filmmakers who want a cohesive set of manual cinema primes covering 16mm to 125mm, especially when you value internal focusing and consistent gearing for faster workflow.
- Be cautious if: you need true EF mount compatibility without adapters, or your workflow depends on the 16mm lens having the same filter-thread option as the other focal lengths.
- What to verify before buying: PL vs EF mount hardware on your camera, whether an EF adapter is required, and how accessories (follow focus, matte box, filtration) will interface with the front diameters and lens layout.
Verdict
The DZOFILM Vespid Prime 7-lens kit is a compelling option for building a matched cinema prime set with wide-to-tele coverage, internal-focus design intent, and production-friendly gear consistency. However, buyer-review evidence is thin, and the one available review raises a mount-compatibility concern that is significant enough to check before you buy, particularly if you need EF support.
Frequently asked questions
What cameras and mounts is this lens kit compatible with?
If you rely on EF mount, verify your camera mount and whether you will need an adapter to use the lenses.
Does the kit include a hard case?
Yes. The kit includes a hard case intended to protect the lenses for storage and transport.
Does the 16mm lens support the front filter thread?
The 77mm front filter thread detail is listed, but it specifically notes that it is not applicable for the 16mm lens.
Is this a zoom lens or prime lenses?
This is a prime lens kit, containing seven fixed focal lengths: 16mm, 25mm, 35mm, 50mm, 75mm, 100mm, and 125mm.
What aperture range can I expect?
The kit is listed with a T2.1 to T22 aperture range, with the 16mm lens listed at T2.8.
Is this kit good for handheld, gimbal, or drone shooting?
It is marketed as compact and lightweight enough for dynamic shooting conditions such as handheld, gimbal, and drone cinematography, but you should still consider your camera rig size, balance, and accessory setup.
See the latest price and availability
Specifications
| Product Title | DZOFILM Vespid Prime Cinema 7-Lens Kit with 25mm, 35mm, 50mm, 75mm, 100mm, 125mm T2.1, 16mm T2.8 Lens for PL & EF Mount |
|---|---|
| Category | Electronics > Camera & Photo > Lenses > Camera & Camcorder Lens Bundles |
| Brand | DZOFILM |
| Manufacturer | DZOFILM |
| Model Name | DZOFILM Vespid Prime Cinema 7-Lens Kit V2 |
| Image stabilization | Optical |
| Video Capture Resolution | 4K and above |
| Screen Size | 80 Millimeters |
| Color | Black |
| Focal Length Description | 25 |
| Lens | Standard |
| Compatible Camera Mount | PL, EF |
| Maximum Focal Length | 16 Millimeters |
| Lens Design | UNIVERSAL COMPATIBILITY - Seamlessly integrate with professional cinema cameras using the included P |
| Focus Type | Manual Focus |
| Lens Fixed Focal Length | 100 Millimeters |
| Lens Coating Description | Coated Optics |
| Zoom Ratio | 7.81:1 |
| Real Angle Of View | 58.3 Degrees |
| Photo Filter Size | 80 Millimeters |
| Lens Mount | Canon EF |
| Video Capture Format | 4K |
| Exposure Control Type | Manual |
| Water Resistance Level | Not Water Resistant |
| Media Type | EnhancedContent |
| Viewfinder Type | LCD screen |
| Camera Lens | DZOFilm Vespid Prime Cinema 7-Lens Kit V2 featuring 16mm, 25mm, 35mm, 50mm, 75mm, 100mm, and 125mm lenses with T2.1 to T22 aperture range, built for durability and professional compatibility. |
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